Nana Bruce - In The Name of Love: Introspection: Gallery I, Accra
Gallery 1957 is proud to present In the Name of Love: Introspection, a solo exhibition by Nana Bruce, opening in Accra on 31st July 2025.
This new body of work marks Bruce’s second solo exhibition with the gallery and continues his intimate inquiry into the complexities of self-love and the turbulent journey toward it. Through figures caught in states of emotional flux and shadows that act as second selves, Bruce creates a deeply contemplative space—one that doesn't judge or instruct, but offers room for private reflection and honesty. The exhibition will continue through 11th September 2025.
We begin with a choice. A figure and its shadow, both calling.
The figure is bright, enticing, familiar. But the shadow speaks loudly too.
It holds its own kind of weight and refuses to be ignored.
In his second solo exhibition with Gallery 1957, Nana Bruce steps into this space of tension, where outward appearance and inner truth meet, resist, and reshape one another. He invites the viewer to join him there, not only to observe, but to begin their own introspection and embark on the uncertain but deeply worthwhile journey of learning to love oneself.
That journey is rarely linear. It unfolds in fragments—raw, fractured, shifting but always with the potential to move forward. Bruce’s figures mirror this unfolding, caught in moments between revelation and quiet collapse; they embody the difficulty and joys of self-examination. Some hover on the edge of clarity, others drift in states of denial. But all are in motion, navigating however slowly, the layered terrain of the self.
Bruce often positions us above his subjects, framing scenes from a bird’s-eye view and placing us, the viewers, as witnesses. This perspective creates distance yet insists on attention. We look down not with detachment, but with care, as though watching someone (perhaps ourselves) in the act of self-repair.
In the Name of Love: Introspection, builds on Bruce’s earlier explorations into the role of shadows. Where in his 2023 works, shadows suggested internal conflict and unspoken emotion, here they evolve. They gain agency, they interrupt, they narrate. In one work, a shadow reaches for love while the figure withdraws. In another, it lifts its head and looks beyond, hinting at forthcoming clarity, the part of the self ready to rise, to take risks, to choose growth. These shadows make visible what we suppress, echo what we fear, and nudge us toward what is true.
