In Those Who Stand Before Us, Rita Mawuena Benissan reimagines a ceremonial gathering rooted in Ghanaian traditions. The embroidery, set against a backdrop of palm trees and traditional architecture, portrays a group of men gathered under the protective shade of umbrellas—a symbol of ancestral presence and cultural legacy. This reimagined moment, where the men await the arrival of a town’s chief, speaks to the reverence, unity, and leadership that characterize communal life. The careful layering of thread on canvas highlights Benissan’s skill in merging storytelling with textile art, allowing for a tactile exploration of Ghana’s ceremonial customs.

This work embodies Benissan’s ongoing exploration of memory, cultural identity, and the interconnectedness of past and present. It draws attention to the enduring importance of tradition and leadership in Ghanaian society while reflecting on the ways communal bonds and rituals continue to shape the social and political landscape. The piece invites viewers to reflect on the strength and resilience of cultural practices that have long been passed down through generations.